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Amongst the vases with larger artistic and documental value, a pelike of red figures, signed by the Brygos Painter, stands out, having already been published in a book curated by Maria Helena da Rocha Pereira, Vasos Gregos em Portugal. This collection is, as we have already referred (Morais and Centeno, 2013), up to this date, the most important one in Portugal.

Constituted of 31 Greek vases, divided between Corinthian and Etrusco-Corinthian styles, Attica black and red figures and the southern Italian style of red figures, that includes Apulian, Campanian and from Paestan and three gutti with relief.

At the end some general remarks on Greek hero cults are added, stressing the common concept of the immortal divine soul, again an Indo-European heritage, manifest for example in the apotheosis of the Hittite kings as well as that of the Roman emperors (§ X).ĭue to the continuity of the study of public and private collections subordinated to the matter of Greek art and classic themes (Morais, 2011 Jesus, 2012), we present in this series Classica Instrumenta some Greek vases from the D. Finally, a chamber tomb slightly west of the bouleuterion is discussed (§ IX). Instead, a thesauros in the assembly hall may have served as a heroon (§ III), and the philosopher Anaximander may also have received cult in the bouleuterion (§ VIII). Of the intramural heroa excavated in Miletos none can claim to be that of Thales: Neither 'Heroon I (the grave of the Macedonian general Dokimos?), II and III' (§ I), nor the 'Ehrengrab' in the courtyard of the Hellenistic bouleuterion, which is most likely an altar (§ II). Graves of founders are typically placed on the agora (§ V), but not those of the mythical founders of Miletos, Asterios, Miletos and Kelados or Ionian Neileos (§ VI). The sage was worshiped as secondary founder, having the status of a 'cultural hero', an age-old Indo-European concept. This article adresses the heroon of Thales in the agora of Miletos, so far only literarily attested (§§ IV, VII).

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